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A podcast about music, and politics as told by musicians who sing about politics
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Wednesday Oct 23, 2024
Wednesday Oct 23, 2024
LISTEN TO CHAMPAGNE SHARKS HERE: https://podcasts.apple.com/us/podcast/champagne-sharks/id1242690393
Welcome to another episode of THIS IS REVOLUTION>podcast, where we explore the deeper political and social dynamics behind current events. Today, we’re diving into the recent indictment of once-revered hip hop mogul Sean "Diddy" Combs on federal racketeering charges. Combs, once celebrated for his entrepreneurial prowess and impact on hip hop culture, is now facing serious accusations of running an elaborate criminal enterprise centered on human trafficking, abuse, and sexual exploitation.
The charges against Combs are shocking but reflect the darker realities lurking behind the glamor of the entertainment industry. As outlined by the justice.gov indictment, Combs is accused of forcing women into "Freak Offs"—elaborate sex performances orchestrated through coercion, violence, and manipulation. He allegedly used narcotics, financial dependency, and physical threats to control his victims, echoing the practices of global human trafficking networks. This brings to mind a broader and more disturbing reality: are we confronting this issue with the seriousness it demands, or are we only shocked when such allegations involve a high-profile celebrity?
While the focus is on Combs now, we must also recognize that these charges are not isolated to one individual. The exploitation of women and their commodification through violence, coercion, and control is a pervasive and deeply entrenched issue in capitalist society—one where power dynamics are exploited to maintain control and assert dominance. These behaviors are happening right now in some corners of the world and for years they’ve been glorified in the hip hop community. It’s just pimping, and as the song says, it ain’t easy.
Is hip hop having a “mask off” moment? With the Combs and Young Thug trials, do these legal proceedings have a negative effect on the genre or the way it’s perceived? Rap music, once thought to embody “realness” in the case of Young Thug, is being challenged on its authenticity. It’s never really been fantasy escapism, but “the unreported news” of the inner city told by the people that lived it. In the case of Young Thug, is this all a lie now? Is it what people like Gerald Horne and Stanley Crouch have viewed? A minstrel show of underclass troupes?
In the case of Combs, the pimp has been a glorified figure for some time in Black urban life. Isn’t Puffy nothing more than a modern iteration of Max Julien in The Mack?
Today, we will discuss the nature of these crimes, the structural realities that enable them, and what this case reveals about our collective attitudes toward abuse, celebrity culture, and power. Are we finally waking up to the harsh realities of human trafficking, or do we still turn a blind eye until a famous name is attached to it?
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